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The film industry consists of the technological and commercial institutions of filmmaking: i.e. film production companies, film studios, cinematography, film production, screenwriting, pre-production, post production, film festivals, distribution; and actors,film directors and other film personnel. Though the expense involved in making movies almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable film making equipment, and expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve.
The major business centers of film making are in the United States, India, Hong Kong and Nigeria. Distinct from the centers are the locations where movies are filmed. Because of labor and infrastructure costs, many films are produced in countries other than the one in which the company which pays for the film is located. For example, many U.S. movies are filmed in Canada, the United Kingdom, Australia, New Zealand or in Eastern European countries.
The United States has the oldest film industry (and largest in terms of revenue), and Los Angeles (California), is the primary nexus of the U.S. film industry. However, four of the six major film studios are owned by East Coast companies. Only The Walt Disney Company — which owns Walt Disney Pictures, Touchstone Pictures, Hollywood Pictures, the Pixar Animation Studios, and Marvel Studios — is fully based in Southern California. And while Sony Pictures Entertainment is headquartered in Culver City, California, its parent company, the Sony Corporation, is headquartered in Tokyo, Japan.
The Indian film industry is multi-lingual and the largest in the world in terms of ticket sales and number of films produced. The industry is supported mainly by a vast film-going Indian public, and Indian films have been gaining increasing popularity in the rest of the world—notably in countries with large numbers of expatriate Indians. One third of the Indian film industry is mostly concentrated in Mumbai (Bombay), and is commonly referred to as "Bollywood" as an amalgamation of Bombay and Hollywood. The remaining majority portion is spread across North, West and South India (in Punjabi, Bengali, Marathi, oriya, Tamil, Malayalam, Kannada and Telugu speaking areas). However, there are several smaller centers of Indian film industries in regional languages (apart from Hindi, Telugu, Tamil, Kannada and Malayalam Punjabi, Bengali, Marathi,) centered in the states those languages are spoken. Indian films are made filled with action, romance, comedy, dance and an increasing number of special effects.
Hong Kong is a filmmaking hub for the Chinese-speaking world (including the worldwide diaspora) and East Asia in general. For decades it was the third largest motion picture industry in the world (after Indian and Hollywood) and the second largest exporter of films. Despite an industry crisis starting in the mid-1990s and Hong Kong's return to Chinese sovereignty in July 1997, Hong Kong film has retained much of its distinctive identity and continues to play a prominent part on the world cinema stage. Unlike many film industries, Hong Kong has enjoyed little to no direct government support, through either subsidies or import quotas. It has always been a thoroughly commercial cinema, concentrating on crowd-pleasing genres, like comedy and action, and heavily reliant on formulas, sequels and remakes. Typically of commercial cinemas, its heart is a highly developed star system, which in this case also features substantial overlap with the pop music industry.
Egyptian cinema is the flourishing cinema of the Middle East which is often considered “Hollywood of the East.” Since 1976, Cairo has held the annual Cairo International Film Festival (CIFF), which is accredited by the International Federation of Film Producers Association. Most of today’s Egyptian movies and TV series are produced in the Egyptian Media Production City which is equipped with the latest equipment for shooting in outdoor and indoor studios. It includes about 64 high tech studios. Censorship, formerly an obstacle to freedom of expression, has decreased remarkably. The Egyptian cinema has witnessed a remarkable shift in terms of the taboos it may address. It has begun to tackle boldly issues ranging from sexual issues to heavy government criticism.
Nigeria was ushered into modern film making by a film known as Living in Bondage, which featured Kenneth Okonwo, Kanayo O. Kanayo, Bob Manuel Udokwu, Francis Agu, Ngozi Nwosu, Nnena Nwabueze, etc. This movie, which hit the market in 1992, marked a turning point in the Nigerian movie industry and heralded the trend in modern-day movie making in Nigeria. The movie capital of the country was in Lagos. However, over the years, there has been a shift from Lagos to Enugu, in the eastern part of the country. This shift is said to be championed by Pete Edochie, a veteran in the communications industry who turned an actor and has become one of the most successful in Nigeria. |
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